LANDSCAPE
These photographs begin as encounters: water, weather, movement, and the way a place presses back- what happens when an image stops behaving as “scenery” and starts behaving as a field of forces — duration, drift, repetition, and slight misalignment.
The uncanny here isn’t added afterward; it arrives when familiarity fails by a fraction, when the surface looks stable but won’t settle. What remains refuses to organize itself into memory.
A coastal threshold where motion accumulates and stillness persists.
Time compressed into a single surface.
The coast, mid-erasure. Footsteps replaced by wind.
A figure and a dog rendered as afterimage.
Triptych: Inland, the threshold changes form but not function. The water still carries time forward, but the space around it tightens: darker, more withheld, harder to read. The uncanny arrives through structure — not by adding strangeness, but by letting the familiar misregister.
Pressure Field
Refusal of Passage
Misregistration
Instruction For Water - The unease is not in the frame — it is the frame. A place so complete it becomes uninhabitable. The longer you look, the less stable the ground becomes, and you never find the crack that started it.
